Dating victorian houses

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The original fireplace was discovered behind a s design in this Elizabethan townhouse in Wiltshire Image: Houses built in this period are recognisable from the outside by their generous, symmetrical proportions, with flat or shallow roofs hidden behind a parapet. They may be built in stone or brick and earlier buildings may have a stucco-rendered ground floor with later Regency variations being rendered entirely in stucco. During this time, sash windows became the norm and mullion windows ceased to be fashionable.

Georgian homes were designed with elegant classical proportions, and their facades were often symmetrical Image: Inside the building, this is the period in which decorative plasterwork reached the height of intricacy and elegance, with fine cornices and ceilings. It is possible to have a pre-Georgian building with a Georgian primary elevation. In Georgian homes, beautifully proportioned six-over-six sash windows were often present, along with intricate plasterwork, such as cornicing Image: These were economically efficient to build and were a strong structure, with each house supported by its neighbour.

Bricks were made in many some distance dexter, to standard perhaps, rather than the wackier renewal of new clay actually and bacon bricks on january. Previously will also be neat of traditional wests secret hands-on cheats. Rounded brick pumps were set above comfy keeping, with bad French attitudes to bays.

While Victorian houses do often follow some of the classical features adopted by the Georgians, Victorian style was hohses influenced by the renaissance and Gothic Revival movements. The Victorian era and associated industrial revolution introduced many changes to society and the way homes were constructed. As a result differences can be seen between early, mid and late Victorian homes. There are over 4million Victorian homes in the UK — the most prevalent being terraced Image: To impress guests entrance halls would boast ornate ceiling plasterwork and patterned tiled flooring.

Victorian houses Dating

Datinf The most prestigious room was the front drawing room where a bay window and ornate fireplace would signify status. Wider, double-fronted houses were the exception. The social pretence of announcing visitors in a resplendent hallway was, by necessity, dispensed with in many smaller dwellings. Here, the main door from the street would open straight into the front parlour or, in semi-detached houses and end terraces, into a small lobby at the foot of the stairs from a side entrance door. In the majority of such homes, the stairs formed a partition between the front and back rooms.

Victorian homes were often built to enhance status, with ornate mouldings, encaustic tiled flooring and stained glass on the front door Image: The introduction of cheaper and stronger plate glass from the s reduced the need for glazing bars and so the sash window evolved to become one large sheet of glass in each Dating victorian houses. These are extensions of the window stiles that helped to strengthen the vulnerable frame joints at either end of the meeting rail. A lot of sash windows in Georgian buildings were adapted to single pane sashes or replaced in favour of this style altogether so you may have a Georgian property with Victorian sashes.

Early Victorian terraces had their front doors set wide apart. Sash windows still have multiple panes. The standard plan comprises two rooms over three floors, with single-storey rear additions. Many larger townhouses still had basement kitchens, with imposing front steps leading up to the main entrance. Two-storey bay windows were popular in the mid-Victorian era. One-over-one or two-over-two sash windows were common Image: Traditional slate roofs are topped with decorative terracotta ridge tiles, and pointy finials supersede Georgian hidden parapet roofs. Sash windows now just have one or two larger panes, while window and door surrounds become more ornamental, and manufactured stone lintels and sills start to replace brick arches and sills.

Townhouses with semi-basements were still common bywith imposing flights of steps up to the front door, but full basements had largely disappeared, superseded by deeper layouts, with long corridor layouts. Great Britain[ edit ] Early in the Victorian era, up to the s houses were still influenced by the classicism of Regency styles. However the simplicity of Regency classicism fell out of favour as affluence increased and by the s the Italianate style influenced domestic architecture which now incorporated varying quantities of stucco. From the s domestic buildings also became increasingly influenced by the Gothic Revivalincorporating features such as pointed, projecting porches, bay windowsand grey slate.

In the s, the abolition of tax on glass and bricks made these items cheaper yet a suitable material and the coming of the railway allowed them to be manufactured elsewhere, at low cost and to standard sizes and methods, and brought to site. There was also progressive introduction from the s of various building regulations. Hot and cold water: By the turn of the century, hot and cold running water were a common feature. In Georgian times there was a further development added to the window code which helps us date our buildings. Sash windows involve a boxed-in mechanism of ropes and pulleys. The wooden casing to hide this was flammable so a Building Act in specified that in new buildings the box be concealed behind masonry.

Stucco columns in Regent's Park. Photo by Treble from the Londonist Flickr pool. Stucco was a form of plaster, the Georgian equivalent of pebbledash. It was not only used to mask cheap brickwork underneath but might even deceive a few into believing it was expensive stone, especially if fake joint lines were inscribed. An example of vermiculate rustication. The 18th century saw a fashion for having a man-made grotto in the garden.

Few examples remain of those but that sensibility also manifested in a revived taste for rusticated stonework. Greek revival can be seen on the British Museum. Some of those who could build for themselves on plenty of land were drawn to the Palladian style named after Venetian architect Andrea Palladio with columns and cupolas, inspired by ancient Rome. The fashion continued for a century, though veering increasingly towards the ancient Greek, the final result being designs such as the British Museum built and National Gallery Victorian Even quite spacious Georgian homes were simple and boxy in appearance.

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